Always inspired by Nature and Design,
I find the exquisite blueprint of nature to be my muse. I explore the interactive relationships of our natural world, softening the lines between reality and imagination.
My process involves layering brilliant birds, wildlife and landscape over symbol and pattern. I begin with applying acrylic paint and glazes onto recycled materials, layering marks, stencils, and textures, to build abstract backgrounds. Symbolism, allegorical imagery, legends, and mythology all play a part. My subjects are elegant icons of beauty, of fragility and impermanence. Their grace and vulnerability connect us with our deeper selves and beyond.
Underlying the imagery is my concern for conservation, habitat loss, extinction and preservation of wilderness. Modern life has amplified our broken bond with the living world.
My art explores what is imagined, felt and remembered —I hope the images I create cause a spark of emotional response in the viewer, allowing new interpretations and personal connections to the natural world. My hope is that by connecting the viewer with the subject, we will be reminded of our interdependence as stewards of this planet. I believe that what we care about, we will try to protect.
“Upcycling”: repurposing used items into new things that are functional and beautiful.
As an avid recycler, I try to reuse and reclaim whatever I can. I mostly paint on recycled hardwood doors from the salvage yard. Beyond keeping usable materials out of the landfill, I’m following a centuries old tradition of painting on wood panels because of their durability. Since my panels have been milled, they are essentially pre-framed and ready to hang – another bonus of upcycling. Lately, I’ve also been painting on watercolor papers and mounting them to panels before framing with recycled frames.
Finally, I apply 3 to 5 coats of acrylic varnish to protect the painted finishes. As with all painted surfaces, care must be taken to protect the finish from water damage and/or chipping due to impact.